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The photograph depicts a gang of Melanesian workers in a sugar cane field. Moreover, this re-evaluation undermined the binary between productive and unproductive work posited by economists since the eighteenth century, and it challenged divisions between public and private spheres, where what happened in private was seen as outside the realms of economy and therefore not considered work. Analysing late nineteenth-century photographic portraits alongside twenty-first-century exhibition practices, Magagnoli emphasises how social discourses and presentations of civilisation and race informed labour relations and continue to shape perceptions of work and workers. Why should not degrees be granted for good acting? I hope, in the interests of art, it will always remain so.
